Rewilding as a Model for Creative and Affective Practices

Authors

  • Josh Wagner PhD Candidate

DOI:

https://doi.org/10.33178/boolean.2026.1.2

Keywords:

Ecofeminism, Posthumanism, Grief Studies, Rewilding, Creative Practices, Improvisation

Abstract

Grieving with Forests is a practice-led research project that explores novel perceptual and creative affordances of a grieving body engaged in movement and sensory-based artistic practice in collaboration with forest environments. The work asks how ecological attitudes and relationships might be altered by replacing the “recovery” directive of modernist western grief practices with an ecocentric perspective on loss that embraces rupture and ongoingness. How might one grieve differently, create differently, and even carry out research differently through paradigms of complexity and unknowing referred to in this paper under the umbrella of methodological (re)wilding?

References

Braidotti, R. (2006). Transpositions. Polity Press: Cambridge.

Dunn, C. (2016). Rewilding in the city, ReNew: Technology for a Sustainable Future, no. 136, pp. 38-41.

Hawkins, S., Convery, I., Carver, S. and Beyers, R., eds. (2023). Routledge handbook of rewilding. London: Routledge.

Kerr, M. (2022). Wilder: How rewilding is transforming conservation and changing the world. London: Bloomsbury Sigma.

Leavy, P. (2020). Method meets art: Arts-based research practice. New York: Guilford Publications.

Midgelow, V. (2018). Improvisation as paradigm for phenomenologies. In: Fraleigh, S. (ed.) Back to the dance itself: phenomenology of the body in performance. Chicago: University of Illinois Press, 59-77.

Nelson, R. (2013). Practice as research in the arts: principles, protocols, pedagogies, resistances. London: Palgrave Macmillan.

Downloads

Published

2026-03-20

Issue

Section

Articles