Exploring Syncretic Approaches to Improvisatory Practices in Irish Bluegrass

Abstract

Improvisation as creative practice is an important part of many forms of music making. This research explores improvisation as creative practice among ‘Irish Bluegrass’ musicians situated within international bluegrass culture. I document how ‘Irish Bluegrass’ musicians triangulate their relationship with American bluegrass and Irish traditional music in instrumental improvisation. The term ‘Irish Bluegrass’ is used by community members to signify a specialized musical trend unfolding in Ireland featuring a high concentration of musicians that play both Irish traditional music and bluegrass. These musicians see themselves as part of both traditions working within a third space that incorporates elements of both genres.