Crossing Borders of Style: The Migration of Italian Renaissance Ideals into Irish Artand Cultural Identity, 1840–1940

Authors

Art History, Ireland, Renaissance, Migration, 20th Century

Primary and Visual Sources

Burton, Frederick William. The Meeting on the Turret Stairs. 1864. National Gallery of Ireland, Dublin.

Purser, Sarah. Works of An Túr Gloine Studio. Various locations, 1903–1940.

Hone, Evie. Eton College Chapel Windows. Eton College, Windsor, 1949.

Books and Scholarly Studies

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1983.

Cullen, Fintan. Visual Politics: The Representation of Ireland 1750–1930. Cork: Cork University Press, 1997.

Figgis, Nicola, and Brendan Rooney. Irish Paintings in the National Gallery of Ireland. Dublin: National Gallery of Ireland, 2001.

Ford, Charles. Art and Nationalism in Ireland: The Visual Dimension of Irish Identity, 1920–1940. Dublin: Irish Academic Press, 2007.

Gombrich, Ernst H. The Heritage of Apelles: Studies in the Art of the Renaissance. Oxford: Phaidon, 1976.

Holly, Michael Ann. Past Looking: Historical Imagination and the Rhetoric of the Image. Ithaca, NY: Cornell University Press, 1996.

Walker, Dorothy. Modern Art in Ireland. Dublin: Ward River Press, 1982.

Articles and Additional Readings

Cullen, Fintan. “The Colonial Subject and the Aesthetic of the Nation.” Art History 16, no. 4 (1993): 621–635.

Ferriter, Diarmaid. “Faith, Culture, and Image in Post-Emancipation Ireland.” Irish Historical Studies 31, no. 123 (1999): 404–421.

Kennedy, Máire. “Art Education and the South Kensington System in Ireland, 1850–1900.” Irish Educational Studies 23, no. 3 (2004): 53–70.

McEvansoneya, Philip. “The Academy and the Nation: The Royal Hibernian Academy, 1823–1916.” Irish Arts Review 23 (2006): 88–95.

Purser, Sarah. “The Founding of An Túr Gloine.” Irish Arts Review 1, no. 2 (1905): 45–48.