Performative Approaches Across the Curriculum: A Field Report
DOI:
https://doi.org/10.33178/scenario.19.1.8Keywords:
Performative-oriented teaching and learning, Performative pedagogy, Teacher education, reflection, experiential learning, Embodiment, interdisciplinary and creative education, Drama in Education (DiE)Abstract
Eva Göksel and Marcel Felder have facilitated the elective module ‘Learning through Play – Drama in Education and Applying Theatre in Schools’ at the University of Teacher Education Zurich since 2021. In this article, they open the doors to their course. Using a single student case study as an example, they demonstrate how an experiential drama in education course can empower student teachers to apply performative teaching and learning methods across different school subjects. Finally, the authors discuss the requirements for the integration of performative methods in teacher education, guided by the question: What do teachers need to effectively and confidently design their own performative teaching?
References
Arao, B., & Clemens, K. (2013). From safe spaces to brave spaces: A new way to frame dialogue around diversity and social justice. In L. Landreman (Ed.), The art of effective facilitation: Reflections from social justice educators (pp. 135–150). Routledge.
Arndt, P. A., & Sambanis, M. (2017). Didaktik und Neurowissenschaften: Dialog zwischen Wissenschaft und Praxis. Narr Francke Attempto.
Cziboly, A. (2015). DICE – The impact of educational drama and theatre on key competences. p-e-r-f-o-r-m-a-n-c-e, 2.
Dawson, K., & Lee, B. K. (2018). Drama-based pedagogy: Activating learning across the curriculum. Intellect.
DICE Consortium. (2010). The DICE has been cast: Research findings and recommendations on educational theatre and drama. https://www.dramanetwork.eu/policypaper.html
Edmiston, B., & Towler-Evans, I. (2022). Humanizing education with dramatic inquiry: In dialogue with Dorothy Heathcote’s transformative pedagogy. Routledge.
Gebhard, U., Lübke, B., Ohlhoff, D., Peiffer, M., & Sting, W. (Eds.). (2019). Natur–Wissenschaft–Theater: Performatives Arbeiten im Fachunterricht. Beltz Juventa.
Göksel, E. (2019). Embodied language learning through drama: A tool for reflection, professional development, and holistic language practice. Babylonia, 3, 36–43.
Göksel, E. (2021a). Mit Herz und Hand unterrichten: Das Potenzial von Drama in Education in der Schweizer Lehrer:innenbildung. In S. Giebert & E. Göksel
(Eds.), Drama in Education Days 2019 – Proceedings (pp. 69–77). https://doi.org/10.25656/01:22232
Göksel, E. (2021b). Experiencing drama in a Swiss context: A tale of two student teachers. Research in Drama Education: The Journal of Applied Theatre and Performance, 300–305. https://doi.org/10.1080/13569783.2021.1901567
Göksel, E. (2022). Daring to be different: Drama as a tool for empowering the teachers of tomorrow. In M. McAvoy & P. O’Conner (Eds.), The Routledge companion to drama in education (pp. 450–454). Routledge.
Göksel, E. (2024). Embodied ways of knowing: Not only our heads go to school. Holistic Education Review, 4(2).
Göksel, E. (2025). Drama in teacher education: Radical spaces of possibility (Doctoral dissertation, University of Zurich). https://doi.org/10.5167/uzh-278217
Göksel, E., & Meierhans, C. (2020). Neue Blickwinkel dank Dramapädagogik. Infonium, 1.
Göksel, E., & Nadig, S. (2018). English through drama: Focus on language and literacy skills. Infonium, 3.
Haack, A. (2018). Dramapädagogik, Selbstkompetenz und Professionalisierung. Metzler.
Hoffelner, A. (2023). Pädagogische Improvisation. Klinkhardt.
Hunter, M. A. (2008). Cultivating the art of safe space. Research in Drama Education, 13(1), 5–21.
Jogschies, B., Schewe, M., & Stöver-Blahak, A. (2018). Recommendations for promoting a performative Tteaching, learning and research culture in higher education. Scenario, 12(2), 47–51. Translated into English by Eva Göksel.
Köhler, J. (2017). Theatrale Wege in der Lehrer:innenbildung. kopaed.
Lenakakis, A. (2004). Paedagogus ludens. Schibri.
Miladinović, D., & Tureček, M. (2023). Performative approaches to teaching German. Scenario, 17(2), 1–16.
Neelands, J., & Goode, T. (2015). Structuring drama work. Cambridge University Press.
Rosa, H. (2018). Unverfügbarkeit. Residenz.
Sack, M., Bürgisser, A., & Pfruender, G. (2019). Performative arts and pedagogy: A Swiss perspective. Scenario, 13(2), 60–70.
Schewe, M. (1993). Fremdsprache inszenieren. Universität Oldenburg.
Schewe, M. (2013). Taking stock and looking ahead: Drama pedagogy as a gateway to a performative teaching and learning culture. Scenario,7 (1), 5-23.
Schewe, M. (2019). Fremdsprachen performativ lehren und lernen. In Para lá da tarefa: implicar os estudantes na aprendizagem de línguas estrangeiras no ensino superior (pp. 343–361). https://doi.org/10.21747/9789898969217/paraa19
Schewe, M. (2020). Performative in a nutshell. Scenario, 14(1), 110–117.
Tau, R., Kloetzer, L., & Henein, S. (2024). Barefoot academic teaching. Edition Scenario.
UNESCO. (2017). Education for sustainable development goals: Learning objectives. Paris: United Nations Educational, Scientific and Cultural Organization. https://unesdoc.unesco.org/ark:/48223/pf0000247444
van de Water, M. (2021). Drama in education: Why drama is necessary. SHS Web of Conferences, 98, 02009.
Wall, T., Österlind, E., & Hallgren, E. (2025). Sustainability teaching for impact. Taylor & Francis.
Wulf, C., & Zirfas, J. (2006). Bildung als performativer Prozess. In R. Fatke & H. Merkens (Eds.), Bildung über die Lebenszeit (pp. 219–302). VS Verlag für Sozialwissenschaften.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Eva Göksel, Marcel Felder

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.