Performative Foreign Language Didactics in Progress: About Still Images and the Teacher as ‘Formmeister’ (Form Master)
DOI:
https://doi.org/10.33178/scenario.12.1.4Abstract
This contribution focuses on performative teaching practice. After a brief introduction in which reference is made to an increasing performative orientation in education and the innovative concept of Performative Foreign Language Didactics, the idea of the teacher as ‘Formmeister’ (Form Master) is presented. The authors then focus on the still image as a concrete example of the wide range of forms that can be derived from the performative arts and gainfully utilised in pedagogical contexts. They outline the general characteristics, function and effect of still images and, via film clips based on their performative teaching practice at University College Cork, demonstrate some of the basic techniques teachers can use to access the different layers of meaning of still images.Riferimenti bibliografici
Boal, Augusto (2008): Theatre of the Oppressed. Chicago: University of Chicago Press
Bernstein, Nils & Lerchner, Charlotte (eds.) (2014): Ästhetisches Lernen im DaF-/DaZ-Unterricht: Literatur – Theater – Bildende Kunst – Musik – Film. Göttingen: Universitätsverlag (= Materialien Deutsch als Fremdsprache, Band 93)
Brecht, Bertolt (1993): The Caucasian Chalk Circle. London: Methuen Drama
Crutchfield, John (2015): Fear and Trembling. In: Scenario IX/2, 114-128. Online:http://research.ucc.ie/scenario/2015/02/Crutchfield/07/en; [last accessed February 20, 2016]
Eisner, Elliot W. (2002): The Arts and the Creation of Mind. New Haven & London: Yale University Press
Even, Susanne & Schewe, Manfred (eds.) (2016): Performatives Lehren, Lernen, Forschen – Performative Teaching, Learning, Research. Berlin: Schibri
Fleiner, Micha (2016): Performancekünste im Hochschulstudium: Transversale Sprach-, Literatur- und Kulturerfahrungen in der fremdsprachlichen Lehrerbildung. Berlin/Milow: Schibri
Fleming, Michael (2016): Exploring the Concept of Performative Teaching and Learning. In: Even, Susanne & Schewe, Manfred (eds.): Performatives Lehren, Lernen, Forschen – Performative Teaching, Learning, Research. Berlin: Schibri, 189-205
Haack, Adrian (2017): Dramapädagogik, Selbstkompetenz und Professionalisierung. Performative Identitätsarbeit im Lehramtsstudium Englisch. Stuttgart: Metzler
Haack, Adrian (2010): ‘KünstlerInnen der improvisierten Aufführung‘. Performative Fremdsprachendidaktik als Teil des Lehramtsstudiums. In: Scenario IV/1, 18-54. Online: http://research.ucc.ie/scenario/2010/01/haack/04/de [last accessed February 20, 2016]
Hallet, Wolfgang & Surkamp, Carola (eds.) (2015): Dramendidaktik und Dramapädagogik im Fremdsprachenunterricht. Trier: Wissenschaftlicher Verlag
Klepacki, Leopold & Zirfas, Jörg (eds.) (2013): Theatrale Didaktik. Ein pädagogischer Grundriss des schulischen Theaterunterrichts. Weinheim and Basel: Beltz Juventa
Levy, Jonathan (2005): Reflections on How the Theatre Teaches. In: Journal of Aesthetic Education 39/4, 20-30
Lutzker, Peter (2007): The Art of Foreign Language Teaching. Improvisation and Drama in Teacher Development and Language Learning. Tübingen: Narr Francke Attempto
Mentz, Olivier & Fleiner, Micha (eds.) (2018): The Arts in Language Teaching. International Perspectives: Performative – Aesthetic – Transversal. LIT Verlag: Münster
Neelands, Jonothan & Goode, Tony (2000): Structuring Drama Work. A handbook of available forms in theatre and drama. Cambridge: University Press
Nitsch, Wolfgang & Scheller, Ingo (2016): Enquiry-Based Learning using Scenic Play as a Medium and Method of Qualitative Research. In: Even, Susanne & Schewe, Manfred (eds.): Performatives Lehren, Lernen, Forschen – Performative Teaching, Learning, Research. Berlin: Schibri, 280-300.
Pouresmaiel, Amin & Gholami, Javad (2014): What comes first in your classes? Form or meaning! In: Humanising Language Teaching 16/3. Online: http://www.hltmag.co.uk/jun14/mart06.htm [last accessed May 17, 2016].
Scheller, Ingo (2004): Szenische Interpretation. Theorie und Praxis eines handlungs- und erfahrungsbezogenen Literaturunterrichts in Sekundarstufe I und II. Seelze-Velber: Kallmeyersche Verlagsbuchhandlung
Schewe, Manfred (2014): Für das Ästhetische einen Ort schaffen. DaF als Bauhaus – ein Vorentwurf. In: Bernstein, Nils & Lerchner, Charlotte (eds.) (2014): Ästhetisches Lernen im DaF-/DaZ-Unterricht: Literatur – Theater – Bildende Kunst – Musik – Film. Göttingen: Universitätsverlag, 167-177 (= Materialien Deutsch als Fremdsprache, Band 93)
Schewe, Manfred (2013): Taking Stock and Looking Ahead: Drama Pedagogy as a Gateway to a Performative Teaching and Learning Culture. In: Scenario VII/1, 5-27. Online: http://research.ucc.ie/scenario/2013/01/Schewe/02/en [last accessed May 17, 2016]
Weiss, Peter (1976): The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade. London: Calder & Boyars Ltd.
Wulf, Christoph & Zirfas, Jörg (eds.) (2007): Pädagogik des Performativen. Theorien, Methoden, Perspektiven. Weinheim and Basel: Beltz
Dowloads
Pubblicato
Fascicolo
Sezione
Licenza
Copyright (c) 2018 the author(s)
Questo volume è pubblicato con la licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.