Aroused from a “false sense of neutrality“
A photo story
DOI:
https://doi.org/10.33178/scenario.15.2.7Keywords:
Photo story, Tableaux, Art is not neutral, Drama class, Drama practiceAbstract
The three black and white photographs that provide the impetus for this piece are the work of students participating in an English drama workshop at an Italian university. The brief discussion around the tableaux task “Art is not neutral”, inspired by Cañas’ manifesto, is framed by critical language pedagogy and addresses the issue of students’ agency as socially-responsible citizens.
References
Cañas, T. (2015). 10 things you need to consider if you are an artist. http://riserefugee.org/10-things-you-need-to-consider-if-you-are-an-artist-not-of-the-refugee-and-asylum-seeker-community-looking-to-work-with-our-community/
Crookes, G. V. (2021). Critical language pedagogy: an introduction to principles and values. ELT Journal 75(3), 247-255. https://doi.org/10.1093/elt/ccab020
hooks, b. (1994). Teaching to Education as the Practice of Freedom. Routledge. https://doi.org/10.4324/9780203700280
Freebody, K., & Finneran, M. (2016). Critical issues and intersections: Part 1. In K. Freebody & M. Finneran (Eds.), Drama and Social Justice: Theory, research and practice in international contexts, 9-14. Routledge. https://doi.org/10.4324/9781315755977
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