Eros and education

Autori

  • John Crutchfield Barenboim-Said Akademie

DOI:

https://doi.org/10.33178/scenario.18.1.4

Parole chiave:

Embodiment, Presence, Performative teaching and learning, Desire, Sensuous affinity

Abstract

This essay explores the – admittedly taboo – theme of eros as it relates to education. While eros is generally understood today in the restricted sense of sexual desire (hence the taboo), there are good reasons to expand the concept to include the full range of embodied human experiences of attraction or sensuous affinity. Such experiences are not merely physiological, but also infused with emotion and imagination, and they constitute an indelible aspect of presence. While traditional education aims more or less explicitly at suppressing the erotic dimension of presence, performative approaches – precisely because they are rooted in the body – in effect open this dimension and make it available as an area of experience, a source of knowledge, and a motivation for learning. But this introduces an element of unpredictability, even volatility; and given the complex and often unconscious movement of eros, we are never far from the zones of social taboo and therefore of ethical concern. Proponents of a performative teaching and learning culture must therefore give careful thought to the question of how to approach the erotic aspect of presence honestly, ethically, and in ways that not only promote learning but also foster self-esteem and respect.

Riferimenti bibliografici

Aristotle (1998). The metaphysics (H. Lawson-Tancred, Trans.). Penguins Books. (Original work published ca. 350 B.C.E.) https://doi.org/10.1093/oseo/instance.00264022

Aristotle (2009). The Nicomachean ethics (D. Ross, Trans.). Oxford University Press. (Original work published ca. 335–322 B.C.E.)

Barthes, R. (1985). “Literature/Teaching” (interview). The Grain of the Voice (L. Coverdale, Trans.). Hill & Wang.

Barthes, R. (1978). A lover's discourse: Fragments (R. Howard, Trans.). Vintage.

Barthes, R. (1975). The pleasure of the text (R. Miller, Trans.). Hill and Wang.

Briggs, K. (2017). This little art. Fitzcarraldo Editions.

Carson, A. (1986). Eros the bittersweet. Princeton Classics.

https://doi.org/10.1515/9780691249247

Coonfield, G., & Rose, H. (2012). What is called presence. Text and Performance Quarterly, 32(3), 192-208. https://doi.org/10.1080/10462937.2012.691309

Crutchfield, J. (2015). ‘Fear and Trembling’: The role of ‘negative’ emotions in a performative pedagogy. Scenario: A Journal of Performative Teaching, Learning, Research, (9)2, 101-114. https://doi.org/10.33178/scenario.9.2.7

Dillon, B. (2017). Essayism. Fitzcarraldo Editions.

Fischer-Lichte, E. (2004). Ästhetik des Performativen. Suhrkamp.

Foucault, M. (1979). Discipline and punish. Vintage Books.

Greene, M. (1984). The art of being present: Educating for aesthetic encounters. Journal of Education, 166(2), 123-135. https://doi.org/10.1177/002205748416600203

Goffman, E. (1963). Behavior in public spaces: Notes on the social organization of gatherings. The Free Press.

Lutzker, P. (2007). The art of foreign language teaching: Improvisation and drama in teacher development and language learning. Francke.

Plato (1999). The symposium (C. Gill & D. Lee, Trans.). Penguin Books. (Original work published ca. 385–370 B.C.E.)

Plato (2008). Phaedrus (B. Jowett, Trans.). Gutenberg Press Project [Ebook #1636]. (Original work published ca. 375–365 B.C.E.)

Sambanis, M. (2013). Fremdsprachenunterricht und Neurowissenschaften. Narr.

Schiller, F. (1795/2004). Über die Ästhetische Erziehung des Menschen. Verlag Freies Geistesleben.

Wilbur, R. (1988). New and collected poems. Harcourt Brace Jovanovich.

Pubblicato

2024-10-17

Fascicolo

Sezione

Special Issue Articles

Come citare

Eros and education. (2024). Scenario: A Journal of Performative Teaching, Learning, Research, 18(1), 51-69. https://doi.org/10.33178/scenario.18.1.4